Posts in Vertical Landscape
MOCAA by Heatherwick Studios Reinvents the Vertical Journey

Experience the magic of the Museum of Contemporary Art Africa (MOCAA) elevators by Heatherwick Studio. These custom glass elevators celebrate the historic silos, reinventing the vertical journey. With transparency and interplay of light, they offer captivating views and a revitalized museum visit. Discover how Heatherwick's innovative design creates a transcendent experience, merging art and architecture in a mesmerizing way. Step into the MOCAA elevators and be transported to a world where history and modernity seamlessly intertwine.

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Uncovering the Evolution of Frank Lloyd Wright's Vertical Vision: New Renderings Reveal Unbuilt Crystal City Skyscrapers

Frank Lloyd Wright's design for Crystal City was a visionary concept for a vertical city, comprising of interconnected skyscrapers and underground spaces. The renderings of this unbuilt project, brought to life by architect David Romero, show a complex of interconnected buildings that would have risen high above the city, connected by a network of elevators and internal highways.

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Elevated Fun: The Best Elevator Rides at Disney World and Disneyland

Elevator rides at Disney World and Disneyland are a type of theme park attraction that involve passengers riding in an elevator-style vehicle to a specific destination, often with a theme or storyline incorporated into the ride experience. These attractions can range in intensity and thrill level, and may be suitable for riders of all ages or may have height or age restrictions.

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Heatherwick Studio's Ultra-Luxury Residence Blossoms Out of Singapore's Skyline

Heatherwick Studio’s new ultra-luxury residence in the heart of Singapore's Admore Draycotta Area is a tranquil vertical palace of natural beauty. With an abundance of sensuous spaces, the building blossoms out of the city into a soaring vertical landscape.

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Part 1 | The Definitive History of Frank Lloyd Wrights Mile High Skyscraper

An invitation from the worlds leading architect splashed Frank Lloyd Wrights name across newspaper headlines around the globe in the summer of 1956. The Mile High Building written in bold black ink and Wrights signature Red Square dominated a full page spread hailing the public to a press conference where Wright himself would unveil the design for a supertall skyscraper in Chicago.

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Part 2 | Wright Unveils Plans For A Fabulous Mile-High Building

Staged with bold black panels along the main wall, the Assembly Room was furnished with custom Wrightian ottomans along with long plywood tables. Throughout the room other notable projects were put on display as part of the Sixty Years of Living Architecture exhibition showcasing the vast and capable work of the accomplished architect.

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Part 3 | Designing the New Vertical Landscape

Unpacking all the inscriptions Wright included in the drawings, one will find that the project is not just the design of a building, but a history of architecture. From the Great Pyramids and Eiffel Tower to the Empire State Building, Wright was placing The Illinois in the timeline of grand monuments.

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Part 4 | Masterplanning the Future of Cities

In addition to being one of the most innovative architects of his day, Wright also dabbled as an urban planner. He saw design of modern cities as posing a serious problem; they were dense communities overly populated with people who didn’t have enough space to live fulfilling lives. While the other modernists like Corbusier and Mies van der Rohe were masterplanning dense urban cities and cookie-cutter towers of glass and steel, Wright was envisioning a broad utopian countryside with pockets of soft density spaced out between urban forests and agricultural land.

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The Thompson Center in Chicago proudly showcases its structure and mechanical equipment rather than hiding it.

The State of Illinois Center, one of America’s most debated public buildings has inspired and outraged citizens and critics since its opening in 1985. Designed by architect Helmut Jahnan, the James R. Thompson Center was completed almost only 35 years ago is in threat of being destroyed.

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El Lissitzky's Vision for a Vertical City: The Cloud Iron Towers

In 1922, Russian architect El Lissitzky designed a revolutionary new type of skyscraper called the Cloud Iron Towers. These towering structures were intended to be built in Moscow, and were designed to be plugged directly into the city's transportation system.

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Mechanization Taking Command in Elevator Carparks

In effect a parking garage proposal that first appeared in Popular Mechanics in December 1921 is one of the earliest examples of the automated elevator car park. The proposal went so far as far as to suggest a completely autonomous building functioning on its own without human interference. The hybrid robot-building took hold of engineers and urban planners imagination as it quickly moved into the collective consciousness.

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Bespoke Tower marks completion of Rem Koolhaas’s City of Art Complex for Prada in Milan

Rem Koolhaas’s new tower designed for Prada puts movement at its core. A panoramic glass elevator and encasing staircase cuts through the one-of-a-kind building giving visitors wide-ranging views of the compound and the city around it while cantilevering decks allow for different height floors for galleries, cafes, and restaurants. Koolhaas swaps out the standard stacked floor plan with a radical diversity within a simple volume.

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Chicago Skyscraper to receive a Kinetic Appendage Like No Other

Local firm Solomon Cordwell Buenz has conceived a glass elevator shaft to rise up the corner of a 346-metre-high skyscraper in Chicago. The all glass shaft along the exterior will house a pair of double-deck panoramic elevators giving the city an exciting new ride.

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Finland’s 2010 Shanghai Expo Pavilion “The Lantern”

Expo 2010 was held in Shanghai, China. The international event gave counties and corporations a stage to showcase their unique culture, identity and technology alongside local industry and innovation. The Finnish elevator behemoth Kone designed a three story glass shaft and complimentary elevator cab that shuttled people through the vertical landscape.

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The Solomon Guggenheim’s Lost Glass Elevator

The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum designed by Frank Lloyd Wright. One of the most iconic buildings of the 20th century, was also one of his last. A reinforced concrete spiral unlike anything the world had seen secured Wright as the worlds greatest architect, but this masterpiece is missing one distinguishing detail that would have changed everything.

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Worlds First Outdoor Glass Elevator

In the 1950s, the world's first outside glass elevator was built installed at the hotel to the worlds amusement. From its opening in 1927 through the 1950s, the El Cortez Hotel in San Diego, California. was the most glamorous apartment-hotel in San Diego. The large "El Cortez" sign, which is illuminated at night, was added in 1937 and could be seen for miles.

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Destination Dispatch and Elevator Control Innovation

Everywhere property owners and architects are embracing destination dispatch, an optimization technique used to improve elevator travel time by grouping passengers for the same destinations into the same elevators. Unlike conventional elevator control systems, destination dispatch control systems takes into account desired destination floors and the number of waiting passengers to significantly improve efficiency and convenience.

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Heatherwicks One-of-a-Kind Elevator

Nicknamed “The Vessel,” the dynamic structure that has captured the attention of media, designers, critics, as well as visiting and resident selfie hunters alike rose out of the multi-billion dollar Hudsons Yards development in New York in early 2019. At 150ft (45 metres), stairs climb up in every direction providing the public a one of a kind vertical climb unlike anything constructed before.

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